Thursday, November 10, 2011

IMAGINE PeaceFest 2011!!!




Festival 11-13 November 2011

You're Invited!

IMAGINE PeaceFest is about people working together across international boundaries, using virtual and real-world venues to promote the amazing work of real-world organizations.  We work together for a better world, with a focus on peace, human rights and justice for all.

As in years past with PeaceFest, all donations will go to three non-profit organizations that the team has selected:

RAWA works  to address human rights abuses against women in Afghanistan, and have been doing so since the 1970's.  This is a well-established organization that was established by women to tell the difficult, brutal stories of abuses, and to work for political and social change.  More about RAWA: 

- The Rural Economic and Agricultural Development Agency (READA) in Cambodia; This group of 15 people are working to  address the needs of the poorest people in rural Cambodia.  Education, sustainable farming techniques, hygiene and methods to secure clean water are all part of their effort to empower people to escape poverty.

- the One Laptop per Child initiative, providing key hardware and software to provide education to those who need it most!  Their mission is to empower the world's poorest children through education, and they have a very interesting program of providing low-cost, low-power laptops with learning games and content to communities around the world.

This event is brought to you by The IMAGINE Network and the Peace Train Charitable Trust (a 501 c 3 public charity in the U.S.)




Use this link to get the latest information on the IMAGINE PeaceFest 2011!!! Schedule 


Wednesday, November 2, 2011

1000 Avatars and an Interview with Gracie Kendal

The book had arrived in the mail and I eagerly slid the sharp edge of a knife into one corner of the large brown envelope. It opened easily and I retrieved the paper bound book from inside and opened it immediately to flip through the pages. As I did, I realized that it had been a while since I'd spoken with Gracie Kendal (aka Kristine Shomaker) and I made a mental note to look for her the next chance I was in world. I then continued my exploration of "1000 Avatars". I was pleased with what I saw of the book and doubly so that I had been able to participate. I scanned the list of names and saw many friends and numerous acquaintances. I found the virtual me in the last third of the book and recalled the good natured banter the day she’d snapped the picture.

The next time I logged in, I did reach out to her and we set a date and time to meet. On that day after I'd just logged in Second Life, a message appeared from her and a teleport request soon followed. We exchanged pleasantries when I arrived at her Second Life home. She offered to give me a tour which I accepted and when complete, we found a spot outside to sit and chat.

"When I got the book and after I read what you'd written as you'd autographed it, I had a big smile on my face ... thank you for the kind words." I said.

"Awwww cool, I'm so glad." She said and then smiled.

"Then I searched for Nazz's backside." I commented.

 She laughed and said, "I hope you found it."

"I opened the book again the other day and paged through it ... the diversity of avatars astounded me. One thousand av's and not two looked alike." I commented.

"Yeah ... which is interesting considering so many people shop at the same stores ... like Truth etc." She said in reply.

"It did seem that most of the male avi's wore jeans."

"True ... well what else would they wear? I guess just like real life." She said with a grin.

"Yup." I said and then added, “Then the women ... from the girl next door to ... the purely sultry and exotic looks."

"Yeah and everything in between." She said with a laugh.

"Have you gotten much feedback from the first 1000?" I asked her.

"Hmmm ... well I hear from people all the time how much they like the project. I have actually done about 1580 so far ... or do you mean the book?" She asked.

"On the book, yes." I replied.

"Yeah, everyone who has received it has really loved it, which is a huge relief. There was literally a lot of blood sweat and tears put into it." She said.

"I bet ... so you've started back up with taking pictures?" I asked.

"Not yet ... I just moved in real life a week ago, so settling in, but planning to start shooting again in a couple weeks."

"I saw in Facebook that you'd moved recently." I commented.

"Yeah ... to a place called "The Brewery" it’s an old beer brewery built into artists’ lofts."

"Speaking of Facebook, do you have a page there for the book or any of your projects?" I asked.

"Hmm,  no not really. I have Wordpress blogs for the 1000 Avatars project and the My Life as an Avatar project but that is it. I didn't really want to make separate pages for those." She replied.

"When we last spoke, which was shortly before the book release, you'd mentioned two projects that were near to starting. The ‘Body Project’ was the first mentioned. Has that begun?" I asked.

"No, that one has kind of been put on the back burner for now." She replied.

"The other was called 'Open House'. Did you start that one up?” I asked.

"Now that one has actually changed and that is one of my next big projects actually. I was accepted for  a solo show in a gallery here in LA. The title of the show I proposed is, 'And one man in his time plays many parts'. It is going to be a mixed reality installation with an opening night performance and using portraits from the 1000 avatars project. It is going to be a simultaneous opening in real life and second life ... the video feed will go both ways." She said.

"When is it scheduled?" I asked.

"The opening is May 5th." She replied and then added, "So luckily I have plenty of time to get it together."

"Open house was also going to be a mixed reality event ... where you were going to spend 2 days in a gallery ...sort of an open house in both virtual and non-virtual. Has the concept changed?" I asked.

"Well, for this show yes ... and maybe open house will come back eventually... but for now it is also on the back burner. I don't really want to give too much away for the new show ... I always do that ... I'm trying to keep it more hush hush until it gets closer." She replied.

“How have the book sales gone?” I asked

“They have been great. I have sold about 72 so far … in fact I have 7 left in my own inventory to sell.” She said and then added with a laugh, “I mean my real life inventory. “

“It's available on demand though, so if someone wishes to buy it they can right?”

“Oh yeah, it is published through Blurb so anyone can go and buy it anytime. Once I finish the next 1000 avi portraits I’ll be publishing volume 2 … and who knows how I’m feeling, maybe I’ll go for volume 3.” She replied.

“What has been the one thing about the project and book that has made the biggest impression in your mind?” I asked her.

“Oh gosh ... hmmmmmm … Although there are several things ... I'd have to say how genuine everyone seems. For a medium where anyone can be anything they want, roleplaying various roles whether female or male ... with everyone I have met, I still get the sense of each person. If that makes sense or maybe it’s just me being naive.” She said in reply.

“A sense of who he or she is in real life?”

“Well ... not 'who' they are necessarily ... but.” She said and paused.

“Their personality perhaps?” I asked.

“No, I guess just that each person has been themselves to me. Even though the project is about anonymity ... In a way I have seen each and every person for who they really are.  You can hide all you want here, but your true spirit and yes personality are still there.” She replied.

“I've always had the idea that one's personality is harder to hide in second life then in real life. We all wear masks in real life ... be it at our jobs, or school or at home with spouses and or significant others … in here the anonymity seems to draw out the core of us sooner.” I commented.

“Oh yeah, absolutely … in a way it removes the mask. That is how we learn who we really are.” She said and then after a slight pause added, “I know I have. Or I'm still learning.”

“One of the other thing we'd talked about last time was you were going to do a talk on ‘My Lifeas an Avatar: The Gracie Kendal Project’ in real life, as you’ve done several times in Second Life. Have you and how has that been received?”

“In real life it hasn’t been received as well as in second life of course. The identity politics of the project are easily understood, but at first viewing, avatars are part of games, and gaming still carries negative stereotypes that people still carry or people still consider. I have had some of the portraits in a couple of shows and I do get asked about them occasionally ... but they are harder to understand. That is something I am working on, trying to make the portraits and my projects more accessible to a wider real life audience.”

“That’s a good idea, I've spoken to few artists and photographers around here about second life and I get the blankest of looks.” I said.

“Yeah exactly, I do think though, that it is getting there, just slowly.”

“Going back to the idea of a mixed reality event, what characteristics of a mixed reality will you strive for?” I asked.

“Well, duplicating the real and virtual space is one idea and just bringing people together from all over the world. I love that … to be able to have a room full of people communicate with people online from different parts of the world is so fulfilling … and makes the world seem less small. I believe in the Universal. That is what I love about second life.”

“It is one thing that is difficult to replicate outside a virtual world. Have you attended a mixed reality event on both sides?”

“Actually no, I haven't had the opportunity to yet, so will be interesting to do it for this project.” She replied.

“I know you'd used the micro finance site, Kickstarter recently in an attempt to fund your project ideas, how was that experience?” I asked.

“Well, it didn't go through. I didn’t devote enough time to it and should have planned it different. Plus, I realized I am just not a saleswoman ... I am not the type to go asking people for money. I hate that. So decided I just couldn’t do it. I had a really hard time with that.” She replied.

“Besides Facebook, what other social media do you use?”

“Well I started Google+ but not really on it much, and twitter, but also not on it much. I mostly use Facebook and Plurk, which is mostly second life people.”

“Do you have any second life exhibits planned?” I asked.

“Not at the moment. Not for myself anyway. I am working with California State University Long Beach... one of their classes, Art 110 is doing a project using second life. They are creating galleries in second life and curating the galleries with different real life and second life artists. Some of my friends and fellow artists are involved, Trill, Miso, Douglas, Desdemona and Alizarin. It is going to be a lot of fun working with fresh young minds and molding them.” She replied.

With that last question asked and answered we chatted briefly and she then took her leave to have dinner. I ported back to my booth on Book Island and flew up to park the virtual me on the roof. After I’d moved my notes onto a notecard and saved it, I reached for my copy of the book. While thumbing through it this time I came across a quote from Sabrinaa Nightfire. She had her picture taken for the book, but unfortunately had passed away before the book published. Her quote read;
Life is short.
Break the rules.
Forgive quickly.
Kiss slowly.
Love truly.
Laugh uncontrollably.
And never regret anything that made you smile.

Thank you Sabrinaa for the sound advice … and thank you Gracie for showing us who we are.

Friday, October 28, 2011

Grand Opening of Acquarella a Full SIM Build in Inworldz

Acquarella: After the Apocalypse GRAND OPENING
Saturday, October 29, 12 - 3 pm PDT


GRAND OPENING for "Acquarella: After the Apocalypse!" 

Alizarin Goldflake's first full-sim immersive art creation, "Acquarella: After the Apocalypse," opens on  Saturday, October 29, 12 -3 PDT, on Jeri Rahja's Nexus Central sim.   Enjoy music by Chandra Deed noon to 1:30 pm PDT and Declan G 1:30 - 3 pm PDT.  Feast on sushi, ride a pink seahorse, come see a story as told by a sim! 

The installation is based on "Acquarella: The Fable," a machinima  written and staged by  Alizarin and filmed by Chantal Harvey. The machinima was shown at the World's Fair in Shanghai in September and October 2010 under the auspices of Aino Barr/Christina Garcia Lasuen. 

links:

The sim has been terraformed into four containers, and this InWorldz version of the story is told in four parts, one for each of the quadrants. 

The first quadrant depicts a time when The Age of Man has ended in a blaze of fire, famine, and warfare.

In the second, the Age of Acquarella dawns.  The mighty goddess begins to repopulate the seas with outposts of aquariums filled with creatures that survived in the cool depths of the oceans.  Hoping to avoid the violent excesses of her forebears, she plans for these mini-oceans to be peaceful and pure, hence colored only with the purest of colors,  black and white. 

Alas, as they say, if you want to make the Devil laugh, make plans.  The third quadrant shows one of our aquariums as a dead zone, all the life squeezed out of it by the goddess's rigid reliance on purity.

At last the goddess softens her ideas, and the fourth quadrant blooms in a burst of color and fecundity.  There are fanciful plants, brilliant fish, pink seahorses, showers of multicolored diatoms, masses of ikura eggs, and dance balls everywhere.  It seems like paradise, but there is a hint of the sinister in the sushi pavilion, where it appears that the aquarium has succumbed to cannibalism.  Even more sinister is the black spy monster lurking out of sight overhead and manipulating destiny to travel full circle like the merry go round that marks the passage back to the disaster quadrant.  In the end the story of the sim asks whether moral progress is possible.

Alizarin, who is a digital artist in Real Life, used the following RL software in the creation of the work:  Corel Painter (digital drawing/textures), Photoshop (textures), Blender (sculpties), and Audacity (sound).  She also relied heavily on her experience with virtual tools, including prim editing, texturing, and script modification.  The sim was begun in February 2011 and finished eight months later.  Although bits and pieces may make it to other grids, "Acquarella: After the Apocalypse" in its entirety is unique and always will be to Nexus Central in InWorldz.

Monday, October 24, 2011

Virtual State Fair 2011 Schedule

This years Virtual State Fair Week begins on October 26th and runs through the 29th of Octobers. The fair is open from 9 am to 6 pm PDT/SLT with rides and exhibits all day.

Here's a daily schedule of activities and locations:

9am until 9pm Voting for Animalia Virtualia photo contest voting closes 9 pm 10/28




  
    Wed Oct 26 Moondoggirl Moomintoog 
    Thurs Oct 27 Max Kleene
    Friday Oct 28 Capos Calderwood
    Saturday Oct 29 Frets Nirvana

>>>>>Special event Thurs and Friday only<<<<<<

Tour the LiveAbilty House between 6:00 and 7:00 pm PDT/SLT.  Complete feedback form and receive 250 Linden Dollars

>>>>>>Special Event Saturday Only<<<<<<<<<<

12-1 pm PDT/SLT Informal Horse Parade. Bring your horse or get a demo here. Ride the Morill Loop as a group. Followed by line dancing at Gertrude's Barn.

Saturday, October 22, 2011

Travel to Originalia – Art Exhibition Opens Today in Second Life

A new art exhibition “Travel toOriginalia” opens today at Amase Levasseur's Originalia SIM. The showing is open to the residents of Second Life beginning at 1 pm PDT/SLT and includes three never before seen exhibits. The featured artists and their works are; "Postcards Home" by Callipygian Christensen, "Adapt or Perish" by Cherry Manga and "Gateway to Hell" by Fuschia Nightfire.  The announcement I’d received also said, “As a special treat, visitors will also be treated to a reprise of the much loved exhibit ‘The Docks"’ by Scottius Polke”.
I had been invited to a press preview this past Wednesday and took the ride over to look around. When I arrived I was greeted by one of exhibition artists, Callipygian Christensen.
“Welcome to Originalia ... let me know if I can help you with anything.” She said

We exchanged pleasantries and I scanned the notecard which had been open on my screen before I asked. “Postcards Home .... An interesting name, what was the motivation it?”

“The overall theme I was given was travel. Postcards are the universal documentation of our travels. So I decided to just do postcards of SL places.” She replied with a smile at the end of the chat line.

 “I'm trying to recall if we'd met before, I know your name is familiar.” I said.

“Probably, I've been in Second Life a long time, and doing photography for most of it and I also DJ. Come on in and let me show you the postcards that will be available at the opening!” She said, and then turned toward a nearby building and proceeded to walk in that direction.

I followed her avatar toward and then into it. Without too many people on the SIM at the time, the movement of our avatars was fairly smooth. As we entered through the doorway, the pictures begin to rezz and I noticed the one of an AM Radio build, the Texaco Gas Station. “I recall the AM build, the picture is nicely done.”

“Okay, mouse over the one on the counter, the left one.” She said.

I did as she suggested and received an inventory offer and a chat line that read;

postcard for Nazz lane! Thank you so much for visiting the show!
postcard for Nazz lane! owned by Callipygian Christensen gave you '*FDC* Pink Rose Barette'  ( http://slurl.com/secondlife/Originalia/58/190/22 ).

“Hopefully you just got a message and a gift, in the ones for the exhibit it will be a copy of the postcard. So you can set it for anyone, leave it out on the table or wherever and they touch it, get your message, and a copy of the card. So I liked the idea of letting people 'send' each other postcards.” She said.

“Yes, it is a good idea.” I commented.

"So the name of the SIM is in the corner of each card. Some no longer exist though ... so much like the old Victorian postcards, they are historical images.” She said.

“You've been in Second Life for a good while now, there must be a number of places you've photographed that no longer exist.” I said.

“Oh … many indeed, this one behind me, Bogon flux … is actually a thing more than a location. It's been in a number of places.” She commented.

“How many of the postcards here are of places that are gone?” I asked

“Miriel over behind the door is gone. AM's installations on full SIM’s are of course 'gone' once they leave a SIM, he doesn’t install exactly the same again.” She said in reply

I’d moved my camera view toward the door and saw the picture of a sea side view. The side of a broad cliff, reflected in the water of a calm sea. “The Seacliff … it’s a beautiful photo, congrats! I like how the colors of the cliff reflected in the water.” I said.

“Oh thank you … I love to play with light and saturation.”

“I see that you do, you've a good eye.” I commented.

“That is what I am often told ... I have no training so I must have something. Personally I think this is the best image here.” She said and moved toward the far end of the building and stopped in front of a postcard of what looked to be a houseboat anchored amongst several large trees. The limbs of the trees were draped in what appeared to be Spanish moss and I commented on how real life the picture appeared.

“But over the years I've found what ‘I’ like the most isn't what most others like the most. Quite often the most popular image in an exhibit is the one I almost decided not to include. So I am clearly a poor judge of the popular.” She said.

I moved my camera view around to several of the others and spotted another sea side view. There were several large rocks in and around the water of a small bay along with a tall fir tree on the point of land nearest the view point. “This one looks like it could be the coast of Maine.”

“Callistei, that probably is a good comparison.” She said and after a brief pause she added; “It's the kind of landscape that appeals to me, and it was my home for 3 years.”

“It’s a very nice view. I do have to run Callipygian. Thank you for sharing your postcards with me. I do appreciate your taking the time to do so.” I commented.

“My pleasure Nazz, thank you for stopping by. Hope you can stop by on Saturday for the opening.” She said.

Thursday, October 13, 2011

Avalon Town to Hold Cystic Fibrosis Foundation Fundraiser

Good friend and manager of Avalon Town, Tricia Aferdita sent out the announcement below. Definitely a good cause to be involved with and with the season theme, it looks to be a fun as well.


Cystic Fibrosis Foundation Fundraiser
Scary Art Contest & Auction

Avalon Town is pleased to announce its next semi-annual fundraising event, this time on behalf of the Cystic Fibrosis Foundation. Cystic fibrosis is an inherited chronic disease that affects the lungs and digestive system of about 30,000 children and adults in the United States (70,000 worldwide).

To put a little "fun" in our fundraiser and celebrate this haunting season, we're inviting artists and creative types to participate in our "Scary Art" contest and benefit auction.

To participate, dream up your scariest art: photos, paintings, sculptures, you name it, and submit it by Sunday, October 23rd, noon SLT. The art will be displayed and open for voting and auction bids through the week of the 24th with a grand finale Halloween Ball on Friday, October 28th at 7pm SLT. The bidding and voting will end at 9pm on the 29th.

All proceeds from the bidding will go to benefit the Cystic Fibrosis Foundation.  Winners of the Scary Art Contest will win a linden prize donated by Avalon Town.

3rd place: L$1000
2nd place: L$2000
1st place: $3000

1.) Limit 1 entry per artist - if we have space to open up to a second submission we will notify the participants

2.) Please keep the size of the work within a 10m diameter and 20m height

3.) Prim limit 50 prims

4.) Scripts are allowed within reason, please consider sim performance

5.) Bots are not permitted

6.) Avalon Sims are rated moderate, please submit appropriate works.

7.) Mod and copy rights are optional, but works should allow transfer for auction purposes.

8.) Avalon Town management reserves the right to turn down any entry for any reason.

9.) Avalon Town management may participate in the art auction, but will not be eligible for the linen prize.

10.) Entry Deadline Sunday, October 23rd, 12pm SLT.

Submit Entries to:
Tricia Aferdita

Thank you all for your continued support!

Tricia Aferdita
Avalon Town Manager
tricia.aferdita@avalontown.com

Monday, October 10, 2011

The Avatar Repertory Theater of Second Life Presents "Through the Looking Glass"



The Avatar Repertory Theater of Second Life Presents Lewis Carroll’s
THROUGH THE LOOKING GLASS

Curiouser and curiouser, through the looking-glass, where things look the same, only the things go the other way. . . . Twas brillig, and Alice finds herself moving through a large chessboard, where the Red Queen gives her lessons in royalty, Tweedledum and Tweedledee battle and rattle, Humpty Dumpty sits on a wall, and the Red and White Knight try to fight for her.

After a hugely successful production of “Alice in WonderSLand”, the Avatar Repertory Theater (ART) continues their tradition of pushing the boundaries of creativity and what’s possible in virtual worlds.

ART brings Lewis Carroll’s characters to life in a new production of “Through the Looking Glass” based on the original Tenniel drawings, with lively animations, original costumes, and a fresh musical score based on familiar nursery rhymes.

The show opens on the Cookie sim on Saturday, November 12th 2011 at 3 pm.

Performance Dates:
- Saturday, November 12 at 3 pm     - Saturday, December 3 at 3 pm
- Sunday, November 13 at 1pm        - Sunday, December 4 at 1 pm
- Friday, November 18 at 11 pm        - Friday, December 9 at 11 pm
- Sunday, November 20 at 1 pm       - Sunday, December 11 at 1 pm

All show times are Second Life Time (SLT or PST)

For more information contact: Kayden Oconnell, Thundergas Menges or Ada Radius.


Avatar RepertoryTheater  is a project of New Media Arts, Inc., a nonprofit organization tax exempt under IRC 501(c)(3). Donations may be tax deductible, depending on your tax jurisdiction and circumstances.